Titulación: | Grado en Estudios Ingleses Degree in English Studies | 601G | ||||
Asignatura: | Temas centrales de la literatura y del cine en lengua inglesa Essential Topics in English Literature and Cinema | 349 | ||||
Materia: | Literatura y comunicación en lengua inglesa | |||||
Módulo: | Literatura y comunicación en lengua inglesa | |||||
Modalidad de enseñanza de la titulación: | Presencial | Carácter: | Optativa | |||
Curso: | 3 | Créditos ECTS: | 6,00 | Duración: | Semestral (Segundo Semestre) | |
Horas presenciales: | 60,00 | Horas estimadas de trabajo autónomo: | 90,00 |
Idiomas en que se imparte la asignatura: | Inglés |
Idiomas del material de lectura o audiovisual: | Inglés, Español |
FILOLOGÍAS MODERNAS | R107 | |||||||
Dirección: | C/ San José de Calasanz, 33 | Código postal: | 26004 | |||||
Localidad: | Logroño | Provincia: | La Rioja | |||||
Teléfono: | 941299433 | Fax: | 941299419 | Correo electrónico: | dpto.dfm@unirioja.es |
Profesor: | Asensio Aróstegui, María Del Mar | Responsable de la asignatura | |||||
Teléfono: | 941299551 | Correo electrónico: | mar.asensio@unirioja.es | ||||
Despacho: | 221 | Edificio: | FILOLOGÍAS | Tutorías: | Consultar |
Tipo: | Título |
Básica | CARNEY, John (dir.). 2007. Once. Ireland: Bórd Scannán na hÉireann, Raidió Teilifís Éireann (RTÉ), Samson Films, Screen Ireland, Summit Entertainment. Absys Biba |
Básica | COIXET, Isabel (dir.). 2003. My Life Without Me. Spain & Canada: El Deseo, Milestone Entertainment, Antena 3 TV, Vía Digital, Alliance Atlantis Communications, Province of British Columbia Film Incentive BC, Canadian Film or Video Production Tax. [DVD]. Absys Biba |
Básica | DOYLE, Roddy. 1992 (1990). The Snapper. Harmondsworth: Penguin. [See 'Recursos en internet' below for a full-text version]. |
Básica | FARRELLY, Peter (dir.). 2018. Green Book. USA: Universal Pictures, Alibaba Pictures, DreamWorks Pictures, Participant, Cinetic Media, Nordisk Film Distribution |
Básica | FREARS, Stephen (dir). 1993. The Snapper. Ireland: BBC Films. Absys Biba |
Básica | KHAN-DIN, Ayub. 1999 (1996). East is East. London: Nick Hern Books. [See 'Recursos en internet' below for a full-text version]. Absys Biba |
Básica | KINCAID, Nanci. 1997. "Pretending the bed was a raft". Pretending the bed is a raft. Chapel Hill, NC: Algonquin Books of Chapel Hill. Absys Biba |
Básica | O'DONNELL, Damian (dir.). 1999. East is East. United Kingdom: Film Four, Assassin Films. Absys Biba |
Básica | SCOTT, Ridley (dir.). 1991. Thelma and Louise. USA: Pathé Entertainment, Percy Main Productions, Star Partners III Ltd. [DVD]. |
Complementaria | ASENSIO-ARÓSTEGUI, Mar & DÍAZ-CUESTA, José. 2022. "'Times Have Changed': The Pub, Alcohol and Masculinities in Stephen Frears's The Snapper." Kindred Spirits. Representations of Alcohol in Literature and Film. Eds. J. Díaz-Cuesta and A. Palmiscno. 116-47. Absys Biba |
Complementaria | BALLÓ, Jordi & PÉREZ, Xavier. 1989. La semilla inmortal: los argumentos universales en el cine. 2ª edición. Barcelona: Anagrama, 1998. Absys Biba |
Complementaria | BARTHES, Roland. 1981. Camera Lucida. Reflections on Photography. New York: Hill and Wuang. [Originally published in French with the title La chambre claire. Notes sur la photographie (1980). Paris: Cahiers du Cinéma, Gallimard, Seuil]. Absys Biba |
Complementaria | BRADFORD, Richard (ed.). (1996) Introducing Literary Studies, London: Prentice. Absys Biba |
Complementaria | CARTER, Ronald & MCRAE, John (2008) London: The Routledge History of Literature in English. Britain & Ireland. Absys Biba |
Complementaria | COUSINS, Mark (dir.). 2014. 'The Story of Film: An Odyssey'. United Kingdom. Hopscotch Films. [DVD]. Absys Biba |
Complementaria | COUSINS, Mark. 2015. The Story of FIlm. London: Pavilion. Absys Biba |
Complementaria | DÍAZ-CUESTA, José. 2019. A Representation of Masculinities in John Carney's Film Text 'Once'. In López Villafranca, P., Niño González, J.I., & Solano Santos, L.F. (coords.). La comunicación como relato. Madrid: Ediciones Pirámide. 97-110. |
Complementaria | DICK, Bernard. 1998. Anatomy of Film. New York: St. Martin's Press. Absys Biba |
Complementaria | DILLON, Sarah. 2015. Cinematic Incorporation: Literature in 'My Life Without Me' (2003). Film-Philosophy 19. 55-66. |
Complementaria | GONZÁLEZ REQUENA, Jesús. 1995. Frente al texto fílmico: el análisis, la lectura. A propósito de El manantial, de King Vidor. In González Requena, Jesús (ed.). El análisis cinematográfico. Teoría y práctica del análisis de la secuencia. Madrid: EC. 11-45. Absys Biba |
Complementaria | HARRINGTON, Michael. 2021. "In Hollywood, Representation of Marginalized People Has its Moment." American Journal of Economics and Sociology 80.3: 863-874. DOI: 10.1111/ajes.12410 |
Complementaria | HERNÁEZ LERENA, María Jesús. 2021. Inspired: How to Put Your Thoughts about Literature into a Term Paper. Logroño: Servicio de Publicaciones de la Universidad de La Rioja. https://dialnet.unirioja.es/servlet/libro?codigo=787423 Absys Biba |
Complementaria | INDURAIN ERASO, Carmen. 2001. "Thelma and Louise: 'Easy Riders' in a Male Genre." Atlantis XXIII.1: 63-73. |
Complementaria | NELMES, Jill (ed.). 1996. An Introduction to Film Studies. 1st pub-- London: Routledge. Absys Biba |
Complementaria | MCGLYNN, Mary. 2005. "Pregnancy, Privacy and Domesticity in The Snapper." New Hibernia Review 9.1: 141-156. |
Complementaria | PHILIPS, Patrick. 2000. Understanding Film Text: Meaning and Experience. London: British Film Institute. |
Complementaria | POSEY, Kelsie E. 2020. "Green Book (2018) and BlacKKKlansman (2018): An Analysis of White and Black Perspectives in Contemporary Films Using Critical Race Theory." https://digitalcommons.georgiasouthern.edu/honors-theses/507 |
Complementaria | PRAMAGGIORE, Maria, and Wallis, Tom. 2014. Film. A Critical Introduction. Third Edition. London: Laurence King. Absys Biba |
Complementaria | STURKEN, Marita. 2000. Thelma and Louise. London: British Film Institute. Absys Biba |
Complementaria | ZAPATA, Sarah. 2010. "Contesting Identities. Representing British South Asians in Damien O'Connell's East is East." Journal of English Studies 8: 187-195. |
Recursos en Internet |
AN INTERVIEW WITH ISABEL COIXET. In Spanish, led Cayetana Guillén Cuervo, when My Life Without Me was included as one of the films shown in Versión Española (TVE).
|
ANDERSON, Jeffrey M. 2003. An Interview with Sarah Polley. 'Life' Saver. Combustible Celluloid. 19 September. |
CHIHARA, Michelle. 2002. Shooting to chill. Newsreview.com. Published 31 October.
Review of Bowling for Columbine. |
DIRECTORS IN DIALOGUE - JOHN CARNEY.
From a series of in-depth interviews with notable Irish filmmakers, presented in association with Screen Director's Guild Of Ireland. Here, RTÉ Culture Editor Derek O'Connor talks to award-winning director John Carney. |
EAST IS EAST at Internet Archive. Full-text free to borrow. |
GREEN BOOK Cast and Crew Q&A | TIFF 2018 |
GREEN BOOK Q&A | Mahershala Ali, Viggo Mortensen & Peter Farrelly (2018) |
IMDb: The Internet Movie Database. The most influential film database in the world of film. It includes users reviews and more 'professional' external reviews, but IMDbPro is not for free. |
ON STORY: 406 Thelma & Louise: A Conversation with Callie Khouri. Austin Film Festival. |
THE SNAPPER at Internet Archive. Full-text free to borrow. |
THELMA & LOUISE REUNION: Susan Sarandon & Geena Davis On The Film's Legacy | Entertainment Weekly. 2016. |
THELMA & LOUISE 30th Anniversary Celebration at the Greek Theater. 2021. |
Actividades presenciales | Tamaño de grupo | Horas |
Clases teóricas | Grande | 25,00 |
Seminarios y talleres | Grande | 2,00 |
Clases prácticas de aula | Grande | 18,00 |
Clases prácticas de aula | Reducido | 15,00 |
Total de horas presenciales | 60,00 |
Trabajo autónomo del estudiante | Horas |
Estudio autónomo individual | - |
Preparación de trabajos, presentaciones (orales, debates), actividades en biblioteca o similar | - |
Total de horas de trabajo autónomo | 90,00 |
Total de horas | 150,00 |
Sistemas de evaluación | Recuperable | No Recup. |
Trabajos y proyectos | 50% | |
Pruebas orales | 25% | |
Portafolio | 25% | |
Total | 100% |