
| Titulación: | Grado en Estudios Ingleses Degree in English Studies | 601G | ||||
| Asignatura: | Temas centrales de la literatura y del cine en lengua inglesa Essential Topics in English Literature and Cinema | 349 | ||||
| Materia: | Literatura y comunicación en lengua inglesa | |||||
| Módulo: | Literatura y comunicación en lengua inglesa | |||||
| Modalidad de enseñanza de la titulación: | Presencial | Carácter: | Optativa | |||
| Curso: | 3 | Créditos ECTS: | 6,00 | Duración: | Semestral (Segundo semestre) | |
| Horas presenciales: | 60,00 | Horas estimadas de trabajo autónomo: | 90,00 | |||
| Idiomas en que se imparte la asignatura: | Inglés |
| Idiomas del material de lectura o audiovisual: | Inglés |
| FILOLOGÍAS MODERNAS | R107 | |||||||
| Dirección: | C/ San José de Calasanz, 33 | Código postal: | 26004 | |||||
| Localidad: | Logroño | Provincia: | La Rioja | |||||
| Teléfono: | 941299433 | Fax: | 941299419 | Correo electrónico: | dpto.dfm@unirioja.es | |||
| Profesor: | Asensio Aróstegui, María Del Mar | Responsable de la asignatura | |||||
| Teléfono: | 941299551 | Correo electrónico: | mar.asensio@unirioja.es | ||||
| Despacho: | 221 | Edificio: | FILOLOGÍAS | Tutorías: | Consultar | ||





| Tipo: | Título |
| Básica | Carney, John (dir.). 2007. Once. Ireland: Bórd Scannán na hÉireann, Raidió Teilifís Éireann (RTÉ), Samson Films, Screen Ireland, Summit Entertainment. [DVD]. Absys Biba |
| Básica | Coixet, Isabel (dir.). 2003. My Life Without Me. Spain & Canada: El Deseo, Milestone Entertainment, Antena 3 TV, Vía Digital, Alliance Atlantis Communications, Province of British Columbia Film Incentive BC, Canadian Film or Video Production Tax. [DVD]. Absys Biba |
| Básica | De Emmony, Andy (dir.). 2010. West is West. United Kingdom: BBC Film, Assassin Films. [DVD]. |
| Básica | Doyle, Roddy. 2007. "New Boy". The Deportees and Other Stories. Jonathan Cape. 63-84. https://breerolfe.com/cms/wp-content/uploads/2014/04/New-Boy-Roddy-Doyle.pdf |
| Básica | Farrelly, Peter (dir.). 2018. Green Book. USA: Universal Pictures, Alibaba Pictures, DreamWorks Pictures, Participant, Cinetic Media, Nordisk Film Distribution. [DVD]. Absys Biba |
| Básica | Frears, Stephen (dir). 1993. The Snapper. Ireland: BBC Films. [DVD]. Absys Biba |
| Básica | Green, Steph (dir.). 2007. New Boy. IFB, RTE, Zanzibar Films. https://www.youtube.com/watch?v=FdeioVndUhs |
| Básica | Keegan, Claire. 2021. Small Things Like These. Faber. Absys Biba |
| Básica | Kincaid, Nanci. 1997. "Pretending the Bed Was a Raft." Pretending the Bed Is a Raft. Chapel Hill, NC: Algonquin Books of Chapel Hill. Absys Biba |
| Básica | Lanthimos, Yorgos (dir.). 2023. Poor Things. Ireland, UK, USA, Hungary. Element Pictures, Film4, Fruit Tree [DVD]. |
| Básica | Mielants, Tim (dir.). 2024. Small Things Like These. Ireland. Ireland, Belgium, USA. Starz Entertainment. [DVD]. |
| Básica | O'Donnell, Damian (dir.). 1999. East is East. United Kingdom: Film Four, Assassin Films. [DVD]. Absys Biba |
| Básica | Schreiber, Liev (dir.). 2005. Everything is Illuminated. USA. Warner Independent Pictures, Telegraph Films, Big Beach. [DVD]. Absys Biba |
| Básica | Scott, Ridley (dir.). 1991. Thelma & Louise. USA: Pathé Entertainment, Percy Main Productions, Star Partners III Ltd. [DVD]. Absys Biba |
| Complementaria | Asensio-Aróstegui, Mar & José Díaz-Cuesta. 2022. "'Times Have Changed': The Pub, Alcohol and Masculinities in Stephen Frears's The Snapper." Kindred Spirits. Representations of Alcohol in Literature and Film. Eds. J. Díaz-Cuesta and A. Palmiscno. 116-47. Absys Biba |
| Complementaria | Balló, Jordi & Xavier Pérez. 1998 (1989). La semilla inmortal: los argumentos universales en el cine. 2ª edición. Barcelona: Anagrama. Absys Biba |
| Complementaria | Barthes, Roland. 1981. Camera Lucida. Reflections on Photography. New York: Hill and Wuang. [Originally published in French with the title La chambre claire. Notes sur la photographie (1980). Paris: Cahiers du Cinéma, Gallimard, Seuil]. Absys Biba |
| Complementaria | Bradford, Richard (ed.). 1996. Introducing Literary Studies. London: Prentice. Absys Biba |
| Complementaria | Bruen, Ken. 2005.The Magdalen Martyrs. St. Martin's Minotaur. Absys Biba |
| Complementaria | Corrigan, Timothy (ed.). 2012. Film and Literature: An Introduction and Reader. London and New York: Routledge. |
| Complementaria | Cousins, Mark (dir.). 2014. 'The Story of Film: An Odyssey'. United Kingdom. Hopscotch Films. [DVD]. Absys Biba |
| Complementaria | Cousins, Mark. 2015. The Story of FIlm. London: Pavilion. Absys Biba |
| Complementaria | Díaz-Cuesta, José. 2019. A Representation of Masculinities in John Carney's Film Text 'Once'. In López Villafranca, P., Niño González, J.I., & Solano Santos, L.F. (coords.). La comunicación como relato. Madrid: Ediciones Pirámide. 97-110. |
| Complementaria | Dick, Bernard. 1998. Anatomy of Film. New York: St. Martin's Press. Absys Biba |
| Complementaria | Dick, Philip K. 1968. Do Androids Dream of Electric Sheep?. New York: Doubleday. |
| Complementaria | Dillon, Sarah. 2015. Cinematic Incorporation: Literature in 'My Life Without Me' (2003). Film-Philosophy 19. 55-66. |
| Complementaria | Doyle, Roddy. 1992 (1990). The Snapper. Harmondsworth: Penguin. Absys Biba |
| Complementaria | Foer, Jonathan Safran. 2003. Everything is Illuminated. London: Penguin. Absys Biba |
| Complementaria | Ford, John (dir.) 1956. The Searchers. USA. C.V. Whitney Pictures. [DVD]. |
| Complementaria | Gray, Alasdair. 1994. Poor Things. Thomson Learning. |
| Complementaria | Harrington, Michael. 2021. "In Hollywood, Representation of Marginalized People Has its Moment." American Journal of Economics and Sociology 80.3: 863-874. DOI: 10.1111/ajes.12410 |
| Complementaria | Hernáez Lerena, María Jesús. 2021. Inspired: How to Put Your Thoughts about Literature into a Term Paper. Logroño: Servicio de Publicaciones de la Universidad de La Rioja. https://dialnet.unirioja.es/servlet/libro?codigo=787423 Absys Biba |
| Complementaria | Hill, George Roy (dir.) 1969. Butch Cassidy and the Sundance Kid. United States, Mexico. Campanile Productions, George Roy Hill-Paul Monash Production, Newman-Foreman Company. [DVD]. Absys Biba |
| Complementaria | Hitchcock, Alfred (dir.). 1960. Psycho. USA. Alfred J. Hitchcock Productions, Shamley Productions. [DVD]. |
| Complementaria | Hopper, Dennis (dir.).1969. Easy Rider. USA. Pando Company Inc., Raybert Productions. [DVD]. |
| Complementaria | Indurain Eraso, Carmen. 2001. "Thelma and Louise: 'Easy Riders' in a Male Genre." Atlantis XXIII.1: 63-73. |
| Complementaria | Khan-Din, Ayub. 1999 (1996). East is East. London: Nick Hern Books. [See 'Recursos en internet' below for a full-text version]. Absys Biba |
| Complementaria | Lothe, Jakob. 2000. Narrative in fiction and film: an introduction. Oxford: Oxford University Press. |
| Complementaria | Martin, Emer. 2018. The Cruelty Men. Dublin: The Lilliput Press. |
| Complementaria | McGlynn, Mary. 2005. "Pregnancy, Privacy and Domesticity in The Snapper." New Hibernia Review 9.1: 141-156. |
| Complementaria | Nelmes, Jill (ed.). 1996. An Introduction to Film Studies. London: Routledge. Absys Biba |
| Complementaria | Onega, Susana and José Ángel García Landa (eds.). 1996. Narratology: an Introduction. London: Longman. |
| Complementaria | Orme, Stuart (dir.). 2011. Jack Taylor: The Magdalen Martyrs. USA, Ireland. Magna Films. [DVD]. Absys Biba |
| Complementaria | Philips, Patrick. 2000. Understanding Film Text: Meaning and Experience. London: British Film Institute. |
| Complementaria | Posey, Kelsie E. 2020. "Green Book (2018) and BlacKKKlansman (2018): An Analysis of White and Black Perspectives in Contemporary Films Using Critical Race Theory." https://digitalcommons.georgiasouthern.edu/honors-theses/507 |
| Complementaria | Pramaggiore, Maria and Tom Wallis. 2014. Film. A Critical Introduction. Third Edition. London: Laurence King. Absys Biba |
| Complementaria | Rimmon-Kenan, Shlomith. 1999. Narrative Fiction: Contemporary Poetics. London & New York: Routledge. Absys Biba |
| Complementaria | Scott, Ridley (dir.).1982. Blade Runner. USA, UK. The Ladd Company, Shaw Brothers, Warner Bros. [DVD]. Absys Biba |
| Complementaria | Sturken, Marita. 2000. Thelma and Louise. London: British Film Institute. Absys Biba |
| Complementaria | Zapata, Sarah. 2010. "Contesting Identities. Representing British South Asians in Damien O'Connell's East is East." Journal of English Studies 8: 187-195. |
| Recursos en Internet |
Anderson, Jeffrey M. 2003. An Interview with Sarah Polley. 'Life' Saver. Combustible Celluloid. 19 September. |
Booker Prize Foundation. 2022. Claire Keegan on Small Things Like These. Interview. The Booker Library. |
Cartmell, Selina. 2018. Roddy Doyle and the cast of The Snapper: Questions and Answers. Gate Theater Dublin. |
Cast and Crew of Green Book. 2018. Questions and answers. Toronto International Film Festival. |
Cast and Crew of Green Book. 2018. Questions and answers. Film at Lincoln Center. |
Guillén Cuervo, Cayetana. 2019. Coloquio sobre Mi vida sin mí. Versión Española (TVE).
|
O'Connor, Derek. 2017. Directors in Dialogue: John Carney. RTÉ. |
On Story. 2015. Thelma & Louise: A Conversation with Callie Khouri. Austin Film Festival. |
Ross, Jonathan. 2000. Jimmi Mistry talks about the success of East is East. Film 2000. |
University of Kent. Skills for Academic Success. |
University of Leeds. Deliver Better Presentations. |
Vilkomerson, Sara. 2016. Thelma & Louise Reunion: Susan Sarandon & Geena Davis On The Film's Legacy. Entertainment Weekly.. |
| Actividades presenciales | Tamaño de grupo | Horas |
| Clases teóricas | Grande | 25,00 |
| Seminarios y talleres | Grande | 2,00 |
| Clases prácticas de aula | Grande | 18,00 |
| Clases prácticas de aula | Reducido | 15,00 |
| Total de horas presenciales | 60,00 | |
| Trabajo autónomo del estudiante | Horas |
| Estudio autónomo individual | - |
| Preparación de trabajos, presentaciones (orales, debates), actividades en biblioteca o similar | - |
| Total de horas de trabajo autónomo | 90,00 |
| Total de horas | 150,00 |
| Sistema de evaluación | Recuperable | No Recup. |
| Trabajos y proyectos | 50% | |
| Pruebas orales | 25% | |
| Portafolio | 25% | |
| Total | 100% | |